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WaOne speaks about street art and murals.

Street Art and Murals


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Because it exists in public places, street art raises special legal questions.

The issue is not only who owns the physical surface upon which the work exists, but also who holds the copyright in the artwork itself.

transforms public spaces into open-air galleries. Legally, it falls within the category of visual art, meaning it has the same copyright protection as any other artwork.

Painted on walls, bridges, or urban structures, street art often speaks directly to its surroundings, carrying social, cultural, or political messages meant for everyone who passes by. Once considered an underground practice, it has become an integral part of today’s visual culture, bridging the gap between fine art and everyday life. can even become landmarks of a neighborhood or symbols of a community, yet they are vulnerable to time, renovation, removal or damage.

For more information about this, explore our pages on Site-Specific Works.

Moral rights vs. property rights

A key area of legal tension around street art is between the moral rights of artists and the property rights of building owners. , including the right of , protect the artist’s connection to their work and aim to prevent the work’s destruction or distortion. In some jurisdictions, such as Italy or Greece, these rights can last indefinitely and even be enforced by heirs or public authorities.

But what if street art is created without authorization from property owners? While the illegality of placement may complicate , recognition of the artistic value of these works has led courts in some countries to grant them protection nonetheless, particularly in cases where cultural significance or recognized stature is established.

This creates a broader question: should a city’s walls be seen as part of its cultural heritage? When murals become part of a neighborhood’s identity, removing them can feel like erasing history. Yet property owners may claim a right to alter or rebuild their spaces. The balance between private ownership and public culture remains at the heart of the street art debate.

For more information about this, explore our pages on .